Why do we write?


Authors write stories because we have stories to tell. The story is there, inside us, It burns us, gnaws away at our stomachs, until it is written.

So here we are, early in 2011, and the ebook revolution is well under way. Previously unpublished authors are selling thousands – no, tens of thousands, of books per month. Previously published authors are raking over their back catalogue, putting out novels that are either out of print, or novels that their publisher didn’t want.

And then we check the results. Under the old publishing models, we had little or no access to our sales numbers. We wrote the book, the publisher put it out there, and we checked our royalties when the publishers informed us. Now, we have unprecedented access to our sales figures and our royalties several times a day – heck several times an hour even, if we so want.

We discuss why our books aren’t doing as well as we had hoped; we trade information, we swap links, tell our stories, offer help; we read of marketing strategies; we agonise whether $0.99 or $2.99 os the “sweet spot”, the right price, the best way of maximising revenue or gaining readership.

But hang on a second. Why do we write? We write because we’re authors, and we need to tell the story, yes? Isn’t there a danger we’re becoming sales and marketing executives, public relations personnel, publishing technicians and industry gurus?

There’s more than enough evidence to show that the more publications we have out there, the more copies we sell. But it’s not a linear relationship. Just because you sell ten copies a month of book A, it doesn’t mean that adding book B will add ten more copies a month to your sales. It’s not linear, it’s exponential. You’re dealing with buyer psychology here. They see your solitary book, they wonder if you’re a ‘proper’ author. They see three, four books, they think “accomplished writer”.

So why aren’t you writing? Come to think of it, why am I not writing?

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Spam


These WordPress blogs have pretty good spam filters, and not much bets through. Earlier today, I was asked by the blog software if I wanted to approve the following comment:

Fabulously, I justified strike 60 and am extraordinarily epigrammatic on gold an eye to my 60 epic turf mount. I plot to toe-hold about 500-1,000. Anyone conscious of any to do so? Thanks

I wondering if he doesn’t manage to toe-hold 500-1,000, but only managed 450, what will happen? Will his life be destroyed? Should I be worried about his rather ambitious targets? I am, however, pleased that at 60 he has an epic turf mount, which I think everyone should aim for when they reach retirement age.

And I think it’s nice he said “Thanks” at the end. I do like a polite spammer.

I think that’s a cool statement, and I shall attempt to McGuffin it into my next short story.

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If it’s Sunday, it must be #SampleSunday


I’ve got another prologue for you this week. Writing tutors don’t like prologues. But then again, they don’t like lots of things that they say you shouldn’t do, but which are actually pretty cool.

I like prologues. It’s a chance to whet your reader’s appetite. It’s that chance to get them hooked, when they’re browsing the bookshop shelves or the website listings. It’s the overture to the musical, it’s the small artwork in the entranceway. It’s your chance to say “here it is, this is what it’s like, are you interested?”

This particular prologue starts the novel “Twelve Days”. Which isn’t out yet. But every crime / thriller writer has a serial killer book in them. It’s de rigeur. I started writing this several years ago, but then put it to one side. “Silence of the Lambs” had come out a few years earlier, and then everyone tried to jump on the serial killer / FBI profiler bandwagon. Mine was set in the UK, but even so, it just seemed to follow the herd.

But in recent times, the serial killer story just keeps coming up, and they’re still popular. It’s a chance for a writer to get their “page per kills” ratio down.

Anyway, I hope you like it. It’s over on the #SampleSunday page: http://geraldhornsby.wordpress.com/sample-sunday/

Don’t forget my two short story collections in the sidebar.

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Why self-publish?


Okay, as indie or self-published writers, we’re all over the positive news stories. “Konrath makes $22,000 in a month”; “Hocking sells over 100,000 books in a month”; “Michael J. Sullivan makes $34,820 in a month”, and they give us inspiration. Few of us will match these astounding figures, but there’s no harm in trying, and even a little fraction of that performance would please most of us.

But what is it about writing that I like? Is it purely the ability to create a story that I find entertaining, and meeting the challenge of completing the work? Is it the hope that I can have many thousands of dollars entering my bank account?

Well, yes and no to both. The main reason I’m writing nowadays (rather than taking an easy retirement from a lifetime of hard, non-writing work) is because people like to read what I’ve written.

Yes, I’ve been an avid follower of Joe Konrath for some years, and when he started talking about how his experiments with self-publishing were going, I’m afraid I got excited. I had dollar signs in my eyes – and I can convert US dollars into my native UK pounds in a blink of one of those eyes. But since self-pubbing two collections of my short fiction, I’ve discovered something.

I’ve discovered that warm, cosy, wonderful feeling you get when someone contacts you and says “hey, I downloaded your book. You know what? I loved it. Where can I read some more?” For me, that says it all. It’s not about the money, it’s not about the mental challenge – it’s about the entertainment, it’s about a person saying nice things about something you’ve spent many hours creating. I don’t think there’s any feeling like it.

So this morning, I followed a link from a friend on Facebook to a good news story. A debut novel has been picked up by Bloomsbury, and the author signed up. She’s over the moon. And quite rightly. Read about it .: here :. But, reading the story, something shocked me.

Bloomsbury will publish her debut novel ‘The Night Rainbow’ in the spring of 2013

Come again? Bloomsbury will launch her book in over 2 years’ time.

Now, I’m of an age where I don’t know if I’m going to be alive in 2 years’ time. Statistically, I should be. But who knows what the publishing world is going to look like in 2 years? Ebook sales are rising dramatically, although still less than 10% – 15% of total book sales. But with Amazon being predicted as possibly selling 12 millions Kindles in 2011 alone .: story here :. and Apple reportedly placing orders for 65 million iPad displays for 2011 .: story here :. there is no doubt the traditional model of book publishing is being changed, rapidly.

I wish Claire King all the best, and it’s no mean feat to break through in the way she did. Having read some of what she’s written, I would say it’s truly deserved. She’s a damned good writer.

But I just wouldn’t want to wait more than two years before my readers could enjoy my work. And that is why I self-publish.

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Sample Sunday – so soon?


It only seems like a few moments ago that I was posting the last #SampleSunday piece. And here we are again.

This week, I’m posting the prologue to one of my works-in-progress, a crime novel, whose working title is “Death In Print”. It will be published within the next few weeks, and will be available via Amazon for Kindle, and via Smashwords for other readers.

I hope you enjoy it. Please see the #SampleSunday page to read the piece.

If you like this, you can purchase one or both of my short story collections – see the images on the right of the page. Thank you for stopping by.

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#SampleSunday – 16th Jan 2011

Prologue to DEATH IN PRINT

The dark green jacket kept most of the rain off his body, but his hair was plastered, dark and slick, to the top of his head. To one side, a cracked downpipe allowed rainwater to drip, drip, drip onto the shiny pavements. It was late, and there were few cars, and even fewer pedestrians.

The gloomy interior of the bookshop showed little detail, save for those few items at the front illuminated by the streetlights. The interior was not his point of interest. A letter-sized promotional flyer was crudely stuck to the inside of the main window. It was not quite straight, and it amused him to tilt his head slightly, so the sign was orientated correctly in his eyes. An ungloved hand lifted, and an extended index finger first traced around the outline of the flyer, and then the outline of the photograph which held pride of place in the centre. Delicately, the finger traced hair, ear, cheek, and mouth. Oh, the sensual, full mouth. The beautifully-curved, Bactrian double hump of the top lip, the slight parting to show bright-white teeth beyond. The finger traced their outline, following the curves, around and around. Then the anger came, and the same careful finger jabbed into one eye of the man featured on the flyer, hard. The pain was good, satisfying, fulfilling. Jab. Jab. JAB.

The anger subsided, and he breathed more easily. He stared at the face looking out at him from the cold and quiet bookshop window. Stared for many seconds, remembering the face well. All the memories returned, fresh and brightly-polished for a new time, and the man knew what he must do, why he was here in this strange town.

He looked around, and then wiped the glass with the sleeve of his coat. Thrusting hands deep into trouser pockets, and with shoulders hunched against the seeping coldness of the rain, he strode off towards town.

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It’s #SampleSunday time again


I’ve just realised that I haven’t posted to this blog since last Sunday. Shame on me.

I’ve got something a little different for you this week. The first thing I have is a very short story (680 words), written when I was sitting, overlooking the sea on a sunny weekend. It occurred to me how the sounds I could hear would paint a picture for someone who wasn’t sighted. That’s “Sights and Sounds” (which appeared in an online anthology a couple of years ago).

I’ve also taken part in something I’ve not seen before – it’s called 5 X 5 (Five By Five). The idea is to write a very short story (sometimes called Flash Fiction), which comprises exactly five sentences, each of exactly five words. It’s actually harder than you think.

I hope you like this weeks #SampleSunday. If you do like it, there’s more in my short story collections, available from Amazon for Kindle, and also on Smashwords for Sony and other readers, and shortly to be available on iBooks and Barnes and Noble, and many other online outlets.

You can find today’s #SampleSunday on the page Sample Sunday

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#SampleSunday


It’s that time of the week again! Another sample of my writing is up on my #SampleSunday page. It’s a very short piece of fiction I wrote a little while ago. I hope you enjoy it! If you do, please see the collections I have through the sidebar here – click on the pictures to take you to my Amazon pages. If you don’t have a Kindle yet, don’t forget you can read my books on your PC or Mac with the Kindle Reader download. Click here for PC or here for Mac.

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2010 -> 2011


Well, it’s the start of a New Year – as if that wasn’t obvious by the huge plethora of NY resolutions threads floating around.

To me, a NYR is a waste of time. Why should you start to do something at the new year, particularly? If you want to start a new regime, lose some weight, write more, send out more submissions, whatever, start it as soon as you think of it. Making it a NYR means that there’s more pressure to continue doing it when your heart just isn’t in it, or whether other aspects of your life make it difficult.

And then, of course, there’s the added aspect of many NYRs being made whilst under the influence of alcoholic substances. Made with the best of intentions, sure, but in the cold, hard, headache-filled light of day, you begin to realise that your resolutions were overly ambitious, at best, and perhaps darned impossible at worst.

I prefer to look forward to this time next year – what will I have achieved over the year? Will it have been a good year, a bad year, a sad year, a disastrous year? A year filled with euphoria, or with abject misery, or something in between?

As I get older, simply being around this time next year will be a great thing, and some achievement. Some things I wanted to achieve will have been, and no doubt some won’t have been. But the secret to a happy life is to go forward, achieving some ‘smart targets’, with some preparation and expectation of not achieving all of them.

I hope everyone I care for has a safe year, at least, and that there are at least some aspects of it that can be considered enjoyable. Everything else is a bonus!

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Don’t you just hate it when …

… you pick up a previously-written novella, work your way through it, editing and rewriting, only to find when you get to the end that you never actually finished it in the first place? Grrr.

So, my first seaside murder mystery novella (or maybe it’s a novelette?) needs more work on it before it’s ready. To be honest, there was a previous one which really should have gone before this one. There’s a change of location which is better explained by the other novella, and the intention was always to release the two as a pair.

So, all drafts saved, all bug files and character outlines saved, and time to open up a whole new story.

C’est la vie.

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