About those New Year Resolutions

When you’re a creative, inspiration can come from almost anywhere. Part of our job is to be a receiver, with all of our senses set to input at all times so we can experience things going on around us. And, so often, we take inspiration from those things, especially when it comes from newsletters and blog posts.

And so it is with today’s post, and inspiration has come from author, political journalist and broadcaster Ian Dunt (excuse his language, which might not suit everyone):

https://iandunt.substack.com/p/happy-new-year-now-sort-your-fucking

“Resonate” is one of those words, whose meaning is clear, but flexible, and is often overused in attempts to sound clever. But – in not in any remote way an attempt to sound clever – this blog post resonated with me. It’s the sort of piece I wish I had written.

One quote (talking about waking early with stress and anxiety):

This happens to me whenever I can’t control something. I have dealt with big, serious problems without any sense of anxiety, simply because they’ve been in my control. But as soon as something affects me but is decided elsewhere, by other people, who may or may not be competent, I experience anxiety: a broiling sense of internal turnover, like someone’s kneading my soul.

These matters must be prioritised. It doesn’t matter how petty they are. Break them down, find solutions, implement, achieve progress, no matter how slow. 

Those last six words are most powerful, and indicate the problems with New Year Resolutions. In my experience, they are either:

a) too tightly focussed on achieving a specific outcome (e.g. stop smoking, begin volunteering, finally get that spare room decorated) which only have a binary outcome – success or failure

b) too wishy-washy to create the drive necessary to move away from current behaviours (e.g. drink less, lose weight)

This looks to be an inherently impossible conundrum – provide enough focus to create drive and desire, but not aim at a binary outcome. In engineering, we have a term called “inertia”, which often gets confused with “momentum” when, in fact, they’re (sort of) almost opposite terms.

Inertia is the resistance to begin moving from a stationary position (we sometimes referred to it as “stiction” – friction causing stickiness, which means you need to apply more force to ‘get it going’ that you do to ‘keep it going’). It’s why when you move off in a car, you begin with a low gear, which delivers more power to the tyres, which helps the car overcome inertia.

Momentum is the resistance to slow down or stop from a dynamic, or moving, position. Momentum is the force which keeps your car going forward when you take your foot off the accelerator. Your car begins to slow down as a result of air pressure on the front, as well as various resistance forces on movement. And, eventually, it slows down more rapidly when you put your foot on the brakes, because of the friction between your static brake pads and the discs rotating with your wheels.

What does all this have to do with resolutions? It is simply that inertia needs more of an effort to overcome than the effort required to maintain momentum. In other words, it’s more difficult to move away from existing habits and create new ones. Once you have created the new habits, it’s far easier to maintain them.

Let’s consider losing weight (something I need to do). It’s very easy for me to continue the eating and drinking I’m doing, which has created my weight problem, than it is to move away from them and develop new, healthier habits. Some of the things I love to eat aren’t conducive to weight loss. I don’t eat them them because I like staying fat. I eat them because I enjoy them. So I need to make an effort, a substantial one, to begin creating new, healthier habits. Once I have developed them, they will be easier to maintain, because they become my new norm.

So, we come back to the 6-word phrase:

achieve progress, no matter how slow

Considering weight loss for a moment (not than I’m fixated on food and feeling hungry right now), a lasting weight loss will not happen overnight, no matter how often I weigh myself and try to cheat the scales (anyone else do that – sway my body on the scales a bit to get the lowest reading? No? Just me then).

But when progress towards our goal (e.g. losing weight) is slow, it’s easy to lose that impetus, that drive, which is needed to move forward. We want to lose weight, we haven’t lost weight, what’s the point?

And the point is: we are making progress towards our goal. If we are changing our habits, changing the things we have done in the past, we are winning. The targets will be achieved as we develop the new habits necessary to achieve them.

Change is good, and not to be feared. Embrace the changes we’re making, to allow us to move forward. That goal, that target, will come.

And (finally) to writers: you may be wanting to write that novel or memoir you’ve promised yourself. How to do that when you haven’t been able to achieve this previously?

Simply – change your habits in order to make progress.

I’ve always asked: do you think you would write a page of a paperback novel per day (that’s around 250 words)? Could you find time in a day? Maybe skip a soap opera. Maybe get up half an hour earlier. Do something which changes your habits. If you can do this, by this time next year (when, once again, you may be lamenting the fact that you were unable to achieve what you said you wanted to do a year previously) you WILL have written that book.

Start now, change habits, even in a small way, and make progress. Once you begin to make progress, you can change gears, and continue forward with less effort.

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GOODBYE 2024

As we near the year end, we traditionally start by looking back on this year – and specifically, what I said this time last year, looking forward. You could call it “accountability.” I just call it “mildly interesting.” Take a look for yourself here: https://gerald-hornsby.com/blog/2024/01/01/looking-forward-to-2024/ and here’s what I said 12 months ago, and my comments on that. And the fact that, one day into the New Year, I’m already behind on my schedule tells you something.

BOOKS – FICTION

From JAN 2024: This is the year the Witford Market Mysteries gets released! Oh yes! Book One is in first edit, Book Two (part-written for NaNoWriMo last year) is about quarter written, Book Three is planned, and Book Four might be the Christmas episode I’ve written and abandoned several times. 

BOOKS – NON-FICTION

From JAN 2024: At the time of writing, I don’t have any plans to write any more non-fiction books. I should do, because they always sell well, but there’s nothing I’m currently working on which would look good in a published book form.

BUSINESSES / TUTORING / PROJECTS

VLOGS / VODCASTS / PODCASTS

From JAN 2024: I do want to do more with video next year. I don’t know what that will be. A writing vlog isn’t that interesting to people. I know that. But at the moment, I don’t know what would attract a larger audience, which remains writing and creativity related.

ONLINE COURSES

From JAN 2024: I’m interested in creating courses. It’s a lot of work, and although I created the Efficient Novelist Programme https://gerald-hornsby.com/efficient-novelist-programme/ there wasn’t a lot of take-up from my initial marketing. To me, it seems a brilliant idea, a way to create novels more efficiently, with benefits to readership and royalty income, but many writers don’t like this idea – the ethos of being an author means that output needs to be crafted and honed over many, many months – otherwise, it’s no good. I don’t agree with that, obviously, but it’s a hard sell.

PERSONAL / NON-WRITING

GH Dec 2024: Swanwick

One highlight of each year is the annual Swanwick Writers’ Summer School. 

https://www.swanwickwritersschool.org.uk

This year, 2024, was my 2nd, and last, year as Chair of the committee. 

You can read my thoughts about the school here:

SUMMARY

I’m looking forward to this coming year with eager anticipation. I hope to be able to be publishing at least 3 novels, and maybe 5 this coming year.

SUMMARY, LOOKING BACK

It hasn’t been an amazingly productive year. There are some reasons for this, and there are no reasons for this. This will be the subject of a forthcoming blog post.

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DAY 22 – #MonthOfBlogging #June2024 #MonthOfWriting

You may have heard of this term. But what does it mean?
As fiction writers, we create an imaginary world, with imaginary characters and imaginary plots. And the key word here is: IMAGINE.
Legendary BBC Broadcaster Alistair Cooke once said “I prefer radio because the pictures are better.”
Clearly, Alistair was of the opinion that, using words to fire up listener’s imaginations can tell a better story.

There’s perhaps no better example than the featured image on this post: “Don’t tell me the moon is shining; show me the glint of light on broken glass.” – Anton Chekhov.
Isn’t that a beautiful phrase? And doesn’t that create a better image in your head, which also, possibly, raises a questions: why is the glass broken? What are we doing her during the night?

Here’s another example: “Emma was sad.” Okay. It’s short, to the point. She’s sad. But sadness is an emotion, so why not instil some emotion, some sharing of Emma’s emotion, with the reader? Enjoyment of stories is much better if the reader can imagine themselves as one of the characters. “Emma was quiet. I looked across at her, seeing her face blank, tears forming in her eyes.”

You can show so much about a character’s internal status and demeanour by body language and facial expression. They don’t need to tell us how they’re feeling at this particular time – we can see!

You can also show a character’s mood through their dialogue, and how they say things. Compare these two lines: 

Her eyes lifted to look at his face, showing pain, anguish, even fear. “It’s not right,” he whispered.

Her eyes lifted to look at his face, showing pain, anguish, even fear. “It’s not right!” he bellowed.

Okay. Let’s try one of these ourselves. Take the view you have, or a view through a window. “I can see a tree in the sunshine. There’s a breeze.” That’s a bit boring, isn’t it?
“The silver birch outside my window bent, lazily, its branches flicking in every direction. Harsh midday sunlight reflected off its bark, forcing me to look away.” It’s a bit more ‘wordy’, and it’s a much better picture I’m creating.

You can show seasons: “Deep snow lay like a puff-white blanket in the garden” (winter); “The smell of fresh-cut grass wafted in through the open window for the first time this year” (spring); “In the distance, I can hear children’s excited voices as they cool off in the city-centre fountains” (summer); “Dried leaves crackle and branches snap underfoot” (autumn). I’m sure you could do better – these are ones I just made up now.

Have a look at something you’ve written recently. Is there a way to enhance the storytelling by showing, not telling?

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DAY 21 – #MonthOfBlogging #June2024 #MonthOfWriting

Don’t click away! I’m not going to nag you (well, not much, anyway) to do your backups. I’ve already done that. This (like the previous case) will give you some practical solutions to make sure that you DO YOUR BACKUP!

Oops. Sorry to shout.

In the first episode of BACKUP ( https://gerald-hornsby.com/blog/2024/06/09/day-7-monthofblogging-june2024-monthofwriting/  ), I talked about the reasons we need to backup our data. In the second episode ( https://gerald-hornsby.com/blog/2024/06/15/day-14-monthofblogging-june2024-monthofwriting/  ), I described my file naming convention, which means I have a series of fresh files throughout the project, ensuring that if something disastrous happens to my work file, I have a file that’s (at most) 1 day old.

In this episode, I’m going to talk about where you back up your data to. Where do you put the copies of the files for safekeeping?

1) The first, and easiest, and one I mentioned before, is to email a copy of your file to yourself. It really is quick (I’ve just done it, and it takes 10 seconds, maybe less). It’s easy. It’s free. Just think that there will be a nice, safe file somewhere in the cloud which you can access from anywhere in the world. Neat, huh? You should be doing this at least once per day.

2) Use USB ‘thumb’ sticks. These are huge nowadays for very little money. £10 will buy you 32GB of safe storage. You can buy them from supermarkets. for goodness’ sake! Buy one with your weekly shopping. Tell you what – buy two. Alternate between them. I back up the files I’m working on (sometimes the whole of a project folder) at least once per week. And make sure you don’t leave them with the laptop. I have two memory sticks which attach to my set of keys. When I’m out of the house, so are my keys, and so are my important files.

That is such a brilliant idea, I should be selling these tips.

3) Use external USB hard disks. These are relatively cheap now. I can buy a 2TB (terabyte) external drive for less than £50. Yes! Two thousand gigabytes! And it’s a good one, at that. You can afford to back up your whole writing folder whilst you’re having lunch or something. And, while you’re investing in security, buy a second USB hard disk, too. Alternate big backups, but give one to a neighbour. Theft or fire could destroy your precious backups. Thousands of pounds- worth of work is at risk if you don’t look after your computer files.

So, just a short post today. It’s not like I’m going to labour the point, is it?

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DAY 20 – #MonthOfBlogging #June2024 #MonthOfWriting

Writer’s block. You’ve all heard of it. It’s that time when you want to write, but the words just won’t come. Your muse has departed, and left you… wordless.

Excuse my language. I do not believe in writer’s block. Neither do these people.

“Start writing, no matter what. The water does not flow until the faucet is turned on.”
– Louis L’Amour

or

“You can’t wait for inspiration. You have to go after it with a club.”
– Jack London

Let me explain. Sometimes, writing flows. Sometimes, writing doesn’t flow. The reasons? I have no idea – it could be a combination of mental state, tiredness level, enthusiasm, other things happening in our lives… many, many things. And it would be very easy to kowtow to our feelings. And it is made easier by giving those feelings a name.

Writer’s Block

Writers talk about it a lot. It seems to be a common problem.

But waaay back, when I was thinking I’d quite like to do this thing for a living, I wondered about those days when the writing didn’t flow. What could I do about it?

One comment I heard was: “A brain surgeon doesn’t get surgical block.” And the obvious parallel is that when someone does a ‘normal’ job, they need to do that job, no matter what. And I’m sure on some days, surgeons don’t feel as well as they do on others. Our capability to do a job to the best of our ability varies day to day, but apart from being ill, a surgeon can’t phone in and say he doesn’t feel like doing his / her job.

So – what’s the solution?

Firstly – STOP USING THE TERM WRITER’S BLOCK

Next thing – tell yourself you’re going to do some writing at the time you normally do your writing.

Then find some way in which you can put characters, words, and sentences onto paper / in a file.

Here are some suggestions: write a blog post. Sometimes, writing non-fiction will break the deadlock where writing fiction won’t. If you’re not a blogger, and you don’t think you want to be, you can write about something else – maybe write about getting through writer’s block (like I’m doing now!)

OR (and I know this worked with a friend I helped) pick a tiny portion of your viewpoint. It doesn’t matter where you are, or what you can see from where you write, but focus on one small portion of your view. Here’s a thing I’ve found useful – extend both arms in front of you, and form a rectangle with the first finger and thumb of each hand. It’s like zooming in on a camera. Don’t choose your view point. That may sound strange, because you’re naturally going to want to choose something interesting to write about. Don’t do that. Bear with me. Extend the arms, form the viewpoint, and look. Really, really look.

Okay, let’s do a test, right now. I have a viewpoint. It’s a small portion of the wall in front of me. So now, let’s write 50 words on what I see. Only 50 words. Be as eloquent or lyrical or poetic as you like.

A shadow falls across the wallpaper, from black to grey to lighter grey to… the off-white wall. But the wall is not one flat colour. There are patters, swirls and whirls and lines and curves, surface texture embossed with semi-random shapes. They make no sense. And yet, suddenly…

There you go. Exactly fifty words on the wallpaper on my wall. It ain’t gonna win no Pulitzer, nor am I going to publish it.

There is a stage 2, where we enlarge our viewpoint slightly. Bend your arms, form that viewpoint again, and look. Really look. Look throughout the restricted viewpoint, noting what you see, all the details. Now, write 100 words on what you’ve seen through that viewpoint. You can do this. You wrote fifty words a moment or two ago. You just need to write a few more, and now I’ve given you a MUCH bigger thing to write about!

Okay. Done that? Guess what, you don’t have writer’s block!

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DAY 19 – #MonthOfBlogging #June2024 #MonthOfWriting

Earlier in the month, we talked about finding somewhere to write.

There’s something I wrote in my “NaNoWriMo – Meeting the challenge” book

https://gerald-hornsby.com/nanowrimo-2020

Here’s another complaint I hear – “I don’t have anywhere to write. I only have a small house / apartment / igloo”. We’ve all seen Stephen King’s writing room, and Ian Rankin’s upstairs office space. How much easier would it be to write if I had a centrally heated, air-conditioned, coffee-machine-equipped office with a view of Mont Blanc or the River Rhine or the South African Veldt or the soaring peaks of Glencoe?

Well, maybe a little, but you’re just finding excuses. Again. You don’t need a special space to write. Yes, you would do well to be on your own without interruptions from pets or family. But you can write with your laptop on your … lap. You can write in the middle of an office with headphones on. You can write on a train.

The most prolific period of my career was when I sat at a tiny flatpack desk facing a blank white wall. You can write in the kitchen whilst you’re waiting for your pasta water to boil, or your coffee machine to bubble, or even whilst you’re waiting for the kettle to boil. You don’t need an office. You don’t need a ‘special space’. What you need to do is write words. Get to it!

I remember an episode of “Grand Designs”, where a man wanted to build a house in France with an office “with a great view” so “I can wrote that novel I’ve always wanted to write.

He built that house, and he really did have a study which had a wonderful view across a valley, including green fields and a village in the distance. So, he must have polished off that novel in no time?

He didn’t.

What he did do was write a book about how to build a house in France. The novel didn’t get written. So it wasn’t the lack of a special room that was stopping him – it was himself!.

You could say: “But Gerald, you’ve got a nice study with a view into countryside – it’s all right for you to preach!”

True.

But in my defence, it is a spare bedroom, converted into a study. AND writing is my business. AND my partner writes on the dining table. She’s a full-time author, too.

In conclusion: you can write wherever you want.

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DAY 18 – #MonthOfBlogging #June2024 #MonthOfWriting

This is a blog post for novel and novella writers.

It’s quite easy to keep a reader engaged in your flash fiction or short story, with their limited range of characters and plots.

But what about when you want to extend your range a little, and write longer stories? It’s easy, right? Just add a few more characters, another plotline or two, maybe another location, and Bob’s your uncle.

Take it from me – it’s really not that simple. Don’t ask me how I know.

And there is a danger that in the middle of the wordcount (say, 30,000 words for a novel), you end up waffling. What’s waffling? 

Waffle – to speak or write at length in a vague or trivial manner.

How this manifests is that your story is roaming around, not really getting anywhere. Characters appear, say something, do something, and then disappear again without having had any significant effect on the story. That, on a number of occasions, has been my story.

If you, too, find yourself in this awful situation, what can you do?

CHANGE SOMETHING.

Have your main character break a limb, take up a new hobby, lose the love of his life. Just when you think it’s all done, and all the ends are tied up nice and neat, CHANGE SOMETHING. PIVOT. What’s the worst thing that can happen? The hero has vanquished his arch-enemy. He has grabbed the girl. She has kissed him (because he’s not an over-aggressive jerk, he’s your hero). Then have him (or her) contract a rare a virulent disease. Have a sink-hole open up and take her away. Have a random plane land on them, miraculously killing him but saving her, thus making her the NEW hero of the story. Ha haaa! Got you there, readers! But that’s, at least, more interesting.

You can also ‘design out’ the saggy middle, from the start of writing. Shout out to my favourite ‘thing’, Save The Cat https://savethecat.com/ Since I began using this, I NEVER have a saggy middle (in my story!). The StC structure ‘designs out’ sags by setting out a beat-by-beat plan for the story, ensuring that you write in the highs and lows, the changes of pace, the tension and the conflict as you begin to plan your story.

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DAY 17 – #MonthOfBlogging #June2024 #MonthOfWriting

How difficult is it to be a writer?

Strangely, no one ever asks that question. Because they either already know it’s very difficult, or because they think it’s easy.

Writing is easy. No, really, it is. You pick up a pen or a pencil or crayon or anything which will make a mark, you pick up something else which will show those marks… and you write. You can write whatever you like.

 Here’s a scenario, and see if you recognise it: you make a decision that you’re going to start writing. You write about a few things going on in your life. You may even put your opinions down on paper (electronic devices are available!). You might even construct a story – perhaps for a child, or for your own enjoyment, or a fictional piece of writing based on something that happened to you, or maybe is happening around you.

So far so good.

You’re happy with what you’re doing. You quite like this writing lark. Maybe even a family member looks at what you’ve written, and given you feedback of the “that’s really fantastic! Well done” kind.

You feel that maybe you’ve got this writing thing buttoned down, and you write more. Maybe you join an online group, or a real life group, and share your writing.

And you get a bad critique.

This is where writing gets tricky. Do you accept the critique? Because, when you’re a new writer, a critique of your writing is a criticism of you. This is your writing baby. How dare someone say nasty things about it?

At this point, your writing journey can go one of three ways:

  • You totally give up writing, vowing never to pick up a crayon again.
  • You take umbrage, and vow never to speak to that person again; you know you’re a good writer, because people have said so, and you’re going to continue your journey in the same way
  • You listen to the critique, you look at your writing, you accept that maybe other people are not so emotionally attached to it, and you learn from it.

You will probably guess that I’m advocating the latter. And I am, but only if your heart is in it. You are going to want to improve your writing.  It’s a tough lesson, and one which many of us have had to learn. When I started writing literary short fiction, I read some damning critiques of my work. But, do you know what? It improved my writing, and critiquing other writers improved my writing, too. But, as the leader of that group always said: critique the writing, don’t criticise the writer.

Learn the difference, and react accordingly.

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DAY 16 – #MonthOfBlogging #June2024 #MonthOfWriting

A first draft is a horrible thing.

The first draft of anything is sh*t.

Ernest Hemingway

Writing, and especially publishing, is filled with anachronistic terms and phrases. Like many industries, I’m sure people use out-of-date phrases in order to heighten the mystique. It might even be used to exclude those who haven’t been educated in the rarified atmospheres of ‘good’ universities. Might.

So, the “first draft.” As one person said to me once, it’s “telling yourself the story.” And in a way, they’re right. If you’re writing a novel, or even a short story, you don’t really know how it’s going to look until you’ve written it. I’ve lost count of the number of times I’ve been writing a full-length novel, and then realised that there’s not enough ‘story’ in it to complete it, or that the story I had in my head isn’t what’s coming out in the manuscript. I’m my own harshest critic. 

So let’s say you’ve fought these inner demons and doubts caused by imposter syndrome, and you’ve finished the story. Brilliant! Send it off to be printed / entered into a competition?

Errr… NO!

Remember Hemingway’s statement, above. He knew a thing or two about writing did old Ernest. What you do is you put the story to one side – in a drawer, or closed off in a folder on your laptop. 

DON’T LOOK AT IT! 

What this does is to give you, the writer, ‘some distance’ from your writing. This is a fact – if you turn to edit a story too quickly, your mind sees what you think that you, the writer, should have written. Your mind ’sees’ the manuscript you wrote in your head, and not what you put on paper / in a file.

How long should I put the manuscript away?

It depends. In theory, the longer the better. I’ve come across old stories, written years ago, that I don’t even recognise as mine! But how long you put the manuscript away is entirely up to you, and how well you can ’step away’ from the writing, and what you intend to do with the story when it’s finished, and whether that has a deadline to it.

And my key message – when you start reviewing your first draft, BE HONEST! Read it like you would any other piece of writing.
Are there spelling and punctuation mistakes? Don’t assume an editor will fix them for you!
Does the opening spend too much time on description of landscapes or the weather?
Does the story move along at pace, or is it dreary and slow?
Does the key message of the story, the key theme, come through in the writing?
Does the ending round things up nicely, and provide a satisfying conclusion?

These are just some of the questions you need to ask yourself before moving forward with the story.

I have done, MANY TIMES!

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DAY 15 – #MonthOfBlogging #June2024 #MonthOfWriting

This is a strange question I often get asked, but in a way, it’s not strange.
“Which word processor do you use?”
or, the even more strange
“What laptop do you use?”
Why are they strange questions? 

Because it doesn’t matter

Let me explain. If you’re going to be a writer, you need some way in recording the words you’re using to tell your story. All agreed?

Writers, traditionally, LOVE a good notebook. I do, too – up to a point. But some people want to write poems and stories in their notebooks and keep them on a bookshelf. Which is great. I’m not knocking it. But the writing is then stuck, in pen / pencil / crayon on paper. Unless you show someone your notebook, you can’t easily share your work.

Some people like the kinetic feel of a typewriter. I love the *idea* of using a typewriter, but the thought of not being able to quickly and easily fix typos from my amateurish typing chills me to the bone.

If we’re moving into the age of modern technology, thee’s no doubt the rise of portable computing has changed much of our lives. You can write on a mobile phone (I know someone who won a competition using a story written on their phone, because they didn’t have a laptop.) There are tablets (such as iPads, Samsung Galaxy Tab and many low-cost imports from the far East), there are hundreds and hundreds of laptops around. Some (called Chromebooks, based on the Google Chrome browser) have little local storage, and are thus cheaper. I have a thing called an AlphaSmart, which is a mobile device, very low power, with a full-sized keyboard and tiny LCD display.

But no matter what other devices get recommended, I always come back to my beloved 2015 MacBook Pro. It was high-spec when I bought it (and expensive!), but it still works well enough.

So then we come to the perennial question: Do you use Mac or PC?

It’s one of those very binary questions which creates intense arguments at times. I was once called stupid for buying Mac. Buying one new now would cost in the region of £1,000 for a minimum spec model. A top spec version: over £4,000!

I treat my laptop as a tool of my job, and reliability is paramount, and in my opinion, worth paying a little extra for.

BUT

If you can’t afford or justify Apple’s eye-watering prices, there are other, good options. Brand new Chromebooks are less than £200. PC (Windows) laptops are similar in price. You can look out for special offers (especially at the start of school term); refurbished devices can have bargain basement prices. Always check on quantity and quality of feedback of supplier if you’re buying online. Also check Facebook marketplace, but beware if computers come without any documentation.

When it comes down to it, my 9 year-old laptop does the job I need it to. It helps me create my manuscripts (my 8th novel is coming out at the end of this month, and I have written seven non-fiction books for authors.) I do my own internal formatting and I create my own covers with some quite sophisticated graphics software. It doesn’t run ALL of the latest software, it doesn’t work from battery alone, and the processor overheats when I render video files. But it does everything I need it to, and if I needed to replace it in an emergency (having backed up my data, obviously) I could buy a refurbished MacBook air for £200.

So…

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